Monday, June 17, 2013

Beach Boys - Amusement parks USA

 

By 1967, the Beach Boys' well known  Smile project had run into trouble. It has been suggested that several band members found the new music too far removed from their established style. Another serious concern was that the new music was not feasible for live performance by the current Beach Boys lineup. Love was opposed to most of Parks' lyrics; he has also since stated that he was deeply concerned about Wilson's escalating drug intake. The problems came to a head during the recording of "Cabin Essence", when Love asked that Parks explain the meaning of the closing refrain of the song, "Over and over the crow cries uncover the cornfield." Parks walked out after a heated debate, and his partnership with Wilson ended shortly thereafter.

Many factors combined to put intense pressure on Brian Wilson as Smile neared completion: his own mental instability, the pressure to create against fierce internal opposition to his new music, the relatively unenthusiastic response to Pet Sounds in the United States, Carl Wilson'sresistance, and a major dispute with Capitol Records. Further, Wilson's reliance on both prescription drugs and amphetamines exacerbated his underlying mental health problems. Smile was shelved in May 1967, and would go on to become the most famous unreleased album in the history of popular music.

However, some of the Smile tracks were salvaged and re-recorded in scaled-down versions at Brian's new home studio. Along with the single version of "Good Vibrations", these tracks were released on Smiley Smile, an album which elicited positive critical and commercial response abroad, but was the first real commercial failure for the group in the United States. By this time the Beach Boys' management (Nick Grillo and David Anderle) had created the band's own record label, Brother. One of the first labels to be owned by a rock group, Brother Records was intended for releases of Beach Boys side projects, and as an invitation to new talent. The initial output of the label, however, was limited to Smiley Smile and two resulting singles from the album; the failure of "Gettin' Hungry" caused the band to shelve Brother until 1970. Compounding these setbacks, the group's public image took another hit following their withdrawal from the 1967 Monterey Pop Festival.

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